The Philosophy Of Film Noir
"A fascinating, readable, and provocative book.... Highly recommended." - Choice "Dense and intriguing, the book suggests noir is best perceived as a slightly warped mirror held up to contemporary society." - Publishers Weekly "Explores the philosophical underpinnings of movies from the classical noir period and... suggests that films aren't noir merely because they share a consistent tone, or certain visual conventions, with the likes of The Maltese Falcon, The Postman Always Rings Twice, and Double Indemnity." - Boston Globe "An intellectually seductive, hardboiled romp through a world of moral murkiness, femme fatales, and desperately lonely protagonists." - Eric Bronson, editor of Baseball and Philosophy"
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